Archive for the ‘Interviews’ Category

Phreedom Records is headed to the top by way of its CEO Co’Baby

Thursday, February 8th, 2018

Resiliency is often the cornerstone of the essence of many men who are born in New Orleans, Louisiana or raised in Detroit, Michigan. It can be a struggle, but also a beautiful thing when one rises above the hardships that can be encountered in both cities. Both cities have economic systems that are often set up for the underdog to fail. Often times it takes a lot more work to taste success.

Meet Corey “Co’Baby” Coleman (or “Co” as he is also affectionately known), CEO and founder of Phreedom Records. Co has quite an interesting history in New Orleans’ entertainment arena – but for as interesting as it is, there are few who have the same pedigree and even fewer who have put in the work and time. And Co is resilient, to say the least. He is the epitome of perseverance and because of that, he will go down in Louisiana music history as one of the architects of its success.

Co’Baby with the phenomenal comedian Sheryl Underwood

This humble soul works tirelessly to make sure his young artists get on. When you meet Co, you’ll notice the humility right away, in that he often fades into the background, until such time he needs to make his presence known – and that he does quite well. It has been said that a team is only as strong as its leader and that for such a leader to be effective, that he must be willing to handle the duties of those he leads, as well as his own. Co definitely does that – from being a master networker, to providing the financial backing to so many, to making his family’s dream of owning and running a premiere label come true, Co is the catalyst to so many fires. His hard work and never give up attitude keep him at the right place at just the right time. The most beautiful thing though, is that Phreedom Records is a family owned business. Co, along with his wife Amy, are working diligently to ensure that Phreedom not only becomes a household name, but an entertainment dynasty.

Co’Baby & Phreedom artist Lucki Lew

Co got his start in the music business when the entity now known as Cash Money was in upstart mode. To say he learned the business from the inside out at a time urban music was really taking a foothold in the South, is a staunch understatement. One of his main goals is for his label’s artists to drop timely, quality music. Co has been responsible for several hits lately, including Lucki Lew’s “My Lil Yeah”, a single featuring standout Tweeday, and “Hotspot”, a fiery (pun intended) club joint featuring Level.

Co’Baby with New Orleans superstar Young Greatness

We recently caught up with Co to talk about his history, dreams and aspirations. We had quite the interesting conversation with him – here’s how it went:

TELL US A LITTLE ABOUT YOURSELF.

CO: I’m a God fearing man who loves life, phamily, and I work for what I want out of life.

SINCE YOU’RE FROM THE CUISINE CAPITAL OF THE WORLD, WHAT’S YOUR FAVORITE MEAL?

CO: Well cooked T-Bone steak, no redness showing, and a loaded baked potato

WHERE WERE YOU BORN?

CO: Born in New Orleans in 1969. Raised in Detroit.

WHAT DRIVES YOU?

CO: My phamily and my will to help others win is what drives me.

HOW DID YOU GET STARTED IN THE MUSIC INDUSTRY? WHAT ARTISTS HAVE YOU WORKED WITH AND WHAT PRODUCERS DO YOU WORK WITH?

CO: I started when I was in high school at Henry Ford High School in Detroit, Michigan. I was a back-up singer in a group called the Gigolos. Then I moved back to New Orleans and met Ronald and Brian Williams. We were street guys. After a couple of years we decided to start Ca$h Money. I stayed working for the company for a few years doing the office work, went on the road with them and did Road Manager duties for the artists Lil Slim, PMW, Mr. Ivan, Ms. Tee, Pimp Daddy, and UNLV. Part of being the Road Manager meant driving all of the artists to and from shows. Now I currently work with fire producers Jay Da Menace of HITZ, KC Da Producer, and Nave Monjo for my own label, Phreedom Records. My artists have collaborated with Jay Jones of Young Money, Jay Da Menace, Kango Slim of PNC, Tweeday, Level, Trae of Hyperphyll, and have opened shows for well-known artists like Jacquees, Kevin Gates, Colonel Loud, Z-RO, and Scarface, just to name a few.

YOU HAVE QUITE A RESUME. TAKE US THROUGH A DAY IN THE LIFE AT PHREEDOM RECORDS.

CO: A day at Phreedom…well it’s always what’s next. Who can I work with to get my team noticed, schedule studio sessions, plan promotional trips, travel arrangements, hotel accommodations – constantly on social media creating a public presence, researching and determining the scams from the legit contacts and projects – just constantly pushing.

WHERE CAN WE EXPECT TO SEE PHREEDOM RECORDS IN THE NEXT 2, 5 AND EVEN 10 YEARS?

CO: In the next 2 to 10 years I pray to God Phreedom Records will be a household name that phamilies can relate to, young and old. I want Phreedom to do everything – Gospel, Country, R&B, Hip Hop, Techno, EDM, and Funk. We’ll continue to do charity work and be visible in the community, providing sponsorships and opening outreach centers that helps kids get focused on positive moves in life. And also, continuing to love God and follow his path while growing revenue for all. Our motto is One God, One Love.

EDITOR’S NOTE: It is a great thing to see someone as genuine and positive as the Colemans grow their label (Phreedom Records) and continue to help others. We have known them for a while now and they are always supportive, positive and trying to help the community in any way possible. We are excited at their upcoming projects and we are always happy to see their artists prosper as well.

Follow Phreedom Records:

Website www.phreedomrecords.com

Instagram @phreedomrecords

Houston’s premiere artist Breadman is getting ‘Big Bags’ of ‘Dirty Money’

Saturday, January 20th, 2018

Houston, Texas has long been known as one of the mainstays of urban, particularly rap music. From the early explosion of hip hop into mainstream to the recent wave of artists making names for themselves, while using the avenues blazed by the city’s early entertainment industry architects, Houston is definitely a stakeholder in modern entertainment.

Enter Breadman, a breakout star from Houston’s infamous South Side. He, in conjunction with his HKMG brand, is putting out some really good music – as well as up and coming artists. All of this is done under the guise of hard work, tenacity and consistency – three keys that are sure to lead to continued success.

Breadman’s most recent offering, “Big Bags”, is a rousing anthem featuring Houston mover and shaker G-Hustler. The video depicts Breadman and G-Hustler in their element – rapping about getting to the proverbial bag. It’s one of many videos recently filmed by Breadman. In late 2017, he dropped the visuals to “Dirty Money”, one of the dopest songs to drop in recent memory. It features Houston super crooner Eddie Coke and the video is directed by the legendary Mr. Boomtown – quite an accomplishment for Breadman, as his plans are coming together!

We caught up with Breadman to chat about “Big Bags”. Here’s what he had to say:

THE HEAT MAGAZINE: Your new video “Big Bags” is doing quite well. Tell us about the concept and song itself. How did it come about?

BREADMAN: Me and the homie G-Hustler know each other from outside of the studio, so from the street side of what we know about each other, it was trying to get a bag together. By us both doing music, it was only right for us to link up that way since we was already linked up in the streets.

THE HEAT MAGAZINE: How did the collaboration with G-Hustler come about and how was working with him?

BREADMAN: He met me at the lab one day on some other business and from there we just went at. I had some beats going and he came up with a hook. And from there we came up with Big Bags.

THE HEAT MAGAZINE: You had a banner year in 2017. What’s on the horizon in 2018 for HKMG and Breadman?

BREADMAN: 2017 was like one of those, “Y’all better look out for me years”, whereas 2018, Imma make it a year where y’all know who I am – while getting a bigger bag.

THE HEAT MAGAZINE: Your work ethic is definitely up there – take us through a day in the life of Breadman and let our readers know what drives you and what makes you so successful.

BREADMAN: My everyday personal goal is to do better than I did the day before, no matter what it was I was doing. And I always plan ahead to make my next day better. Just knowing I have a lot of people who don’t believe in me, makes me strive harder at what I’m doing. And for the people that I already have believing in me, I strive even harder for them, cause those are the ones I know I can’t let down.

THE HEAT MAGAZINE: You’re currently one of the premiere artists in Houston/Down South. What advice do you have for up and coming artists, as far as them becoming a success?

BREADMAN: And for some of the up and coming artists that’s trying to do it, one thing I can say, and that is Always invest in yourself.

Follow Breadman:

Website – IAmDaBreadman.com
Instagram – @iamdabreadman
Twitter – @iamdabreadman
You Tube – IAmDaBreadman
Soundcloud – Breadman

Heat Exclusive:Paco Troxclair-Why He Has New Orleans Goin’ Duffy

Saturday, January 20th, 2018

Keeping an ear to the street is paramount in the music industry. Paying homage to those who paved the way as well as exhibiting humility are a part of any great artist’s apprenticeship or “paying dues” process. While New Orleans Uptown neighborhoods may have established a reputation for being crime-ridden, there lives an immeasurable gift that manifests itself daily. This gift is known as music and in New Orleans, music continues to be a focal point in the Calliope Projects aka CP3. The Heat Magazine brings you an interesting interview on a young man by the name of Paco Troxclair. Paco is a rap artist and currently he has the city of New Orleans going “Duffy.”

The Heat Magazine: How did you come up with the moniker “Paco Troxclair”?

Paco: Paco was the name given to me in the Calliope (projects). It’s a mystery to me how it exactly became my name but many people attempt to solve the mystery. Troxclair is the last name of my family in the Calliope which is my momma’s side that I’m closest with.

The Heat Magazine: Fullpack has been a mainstay in urban music. How did you connect with such an established company?

Paco: Fess of Full Pack is an extended member of my family. I would always hear about the great things he did and he invited me over after hearing a project of mine. I immediately began working with Don and Fess and we shared a love for music.

The Heat Magazine: Your new single ‘Duffy’ is garnering great feedback. How did you come up with this hit?

Paco: I literally went to the studio excited and Fess was there first and I told Fess I wanted something that drop in hard as fuck. He begin building the beat and I was in love with it. It was something that I did without thinking. It came very natural to me. Fess didn’t like it at first; he thought the beat was too easy and he wanted to add things. I think when something happens that easy you just think this can’t be.

The Heat Magazine: What artists influence you?

Paco: I’m a product of my hometown. Therefore, all of the hometown heroes but If you know me you know I love B.G.

The Heat Magazine: Who do you plan on working with in the near future?

Paco: I have some things in the works with Currensy. I believe we can do something dope because the energy he brings, works well with what I’m about.

The Heat Magazine: What can your supporters and our readers expect from Paco Troxclair in 2018?

Paco: Expect me to go Duffy. Me and KL have made a gang of records. Also me and Flight School have connected and they are leading the New Orleans new school. Expect the “new New Orleans” sound.

The Heat Magazine: You were able to blend a nostalgic vibe from New Orleans classic days with the wave that exists currently in the 21st century. How important was this concept to you?

Paco: This happened organically so I can’t say for sure it was consciously important. I never thought about it but working with Full Pack made me want to create the new wave of New Orleans. I don’t think people have any idea what New Orleans music sounds like in the new times.

The Heat Magazine: When you’re not doing music or performing, what do you like to do in your leisure time?

Paco: I’m always finding new ways to maximize my potential. One thing I do a lot of is work out. I saw Mystikal one day on ‘Second and D’ and he was in such great shape he inspired me.

The Heat Magazine: What advice would you give to the youth concerning the music industry?

Paco: What I’ve learned is individual people are powerful. You can do more than you believe. You don’t need a label or manager. Focus on your following and those who appreciate what you do.

The Heat Magazine: Interesting! What do you love most about New Orleans?

Paco: The second lines, seafood, I really miss the block parties. I love the drinking in the streets and the girls at super Sunday. I love the culture.

The Heat Magazine: What area in New Orleans do you represent?

Paco: I represent the Calliope project. I actually lived in Gentilly as well but my roots are in the Calliope, my family, my influences, and the place I was raised.

The Heat Magazine: Your stage performance is outgoing and your video is fun. How important is it for you to have fun doing music?

Paco: I enjoy having a good time in life so my art reflects that. Ultimately, music is to lift the vibe so it’s a must I keep the frequencies high.

The Heat Magazine: Tell the world your favorite New Orleans dish and where they should visit if they come down for Mardi Gras?

Paco: Crawfish and shrimp; I love it. I probably eat it too much but I’m not sure if I’ll give that up. I could do it everyday. The place they should visit is Cajuns Seafood. You have to go there. I’m an addict.

Follow Paco Troxclair @pacotroxclair on Instagram.

Stream Paco Troxclair’s single here:

Stream video here:

Heat Exclusive: Assata Renay Shares Love and Wisdom in “Handbook”

Thursday, January 18th, 2018

In life, there comes a time when the young mind shares wisdom with the old. Love is an enigma and the world continues to find the answer. Who knows the recipe for love? In the meantime, we continue to explore ways to express it. Music serves as a representative for those who experience it but still there’s no “Handbook” for it.

This resonating message comes from a promising songstress professionally known as Assata Renay. Her new composition “Handbook” is now available on all digital outlets.

When The Heat Magazine first heard this song, we found it necessary to give our readers an inside look on Assata.

Assata is a native of New Orleans. Music danced through her roots starting with her late grandfather who was a blues guitarist. The musical lineage continued with her mother and father both landing careers in the music industry.

Assata’s sound can be described as alternative Rhythm and Blues fusing together both harmonies and emotions to create the unique sound that she takes pride in calling her own.

“Whether it’s experiencing a live show or listening to a record, you will be taken on a journey of everyday life situations through the eyes of a Nola girl,” said Assata.

The Heat Magazine proudly presents this exceptional artist’s music to our readers. Be sure to add this great song to your Valentines Day playlist.

Find out more about Assata Renay by following her @assatarenay on Instagram.

Check out her heartfelt composition “Handbook” here:

 

Heat Exclusive:’Ya Heard Me’ Released On Tidal

Thursday, January 18th, 2018

New Orleans artists have now been given a golden opportunity to showcase their skills to the world. Music Exec Law has curated the NOLA Playlist known as “Ya Heard Me” which was released on January 15th  on TIDAL. Described as “The Newest of New Orleans Hip-Hop”, the playlist consolidates New Orleans hip hop at its finest. This along with many other opportunities created by NOLA influencers is a part of a new initiative to help bring attention to the flourishing hip-hop scene in New Orleans and its uniqueness. Ya Heard me features Dee-1, Mannie Fresh, Don Flamingo, Jay Jones, Paco Troxclair, Lady Dahlia, Alfred Banks, Pell, Devious, J Lyric, Bty Youngin, Austin Levy, Lil Soulja Slim, Young Greatness, Kevin Gates, Og Booby Black and more.

Check out Ya Heard Me here:

https://tidal.com/playlist/3ec144f9-040f-4c6d-ac44-2edb2cbf7ac2

 

Heat Exclusive Feature Series: ‘Behind The 1s and 2s’ with DJ Ro

Thursday, January 18th, 2018

 

Just like the elements earth, wind, and fire, it’s so easy to allow important cogs to be placed in the rear of our thoughts. Hip hop has evolved in a complex way but certain pieces stand the test of time such as deejaying, rhyming, entertaining, mixing, mastering, promoting, dancing, fashion, and producing.

The smooth blends accompanied by cutting and scratching intrigued hip hop aficionados and influenced fans to embrace a new culture. New Orleans gravitated to hip hop from the inception. As a result, the Big Easy cemented its place in hip hop history books as a hotbed filled with creatives. But where would hip hop be without the deejay or the rapper?

The Heat Magazine decided to feature a series “Behind the 1s and 2s” which takes our readers inside the lives of talented individuals who helped shape this thing we love known as hip hop.

We had the pleasure of sitting down with DJ Ro, WQUE mixologist, who serves as one of the pioneering mix show disc jockeys in New Orleans on urban radio. His contribution to New Orleans hip hop is esteemed and plays an integral role in the advancement of independent artists in the Big Easy and surrounding areas.

The Heat Magazine: Tell us about your first time spinning on a local station and what station it was.

Dj Ro: My first live radio audition spinning records was in September 1990 on WQUE FM 93 ( Q93). It was an awesome experience having hundreds of thousands of listeners hear your mixing music ability coming from the hood to the masses of your city and surrounding areas.

The Heat Magazine: When it comes to mixing, how important was that in your style?

Dj Ro: If you’re not mixing music, you’re doing an injustice to the art of DJing! Mixing, Blending, and Scratching are all important parts of being a seasoned DJ.

The Heat Magazine: What do you look for in a record?

Dj Ro: I look for a song beat as well as the quality to immediately catch my attention in the 1st four seconds. Then it’s the lyrical content, especially the hook and chorus, to be entertaining along with the style (swag) of the artist.

The Heat Magazine: How hard is it for a great deejay to break a record?

Dj Ro: That’s what makes a great DJ, A risk taker! The DJ’s job is to be a music messenger. If you don’t change the message, the game will stay the same without growth and be at a repetitious stand still. The people trust a great DJ’s judgment based on his/her experience. That’s what makes it easy to break records; even the not so good ones (laughing).

The Heat Magazine: What do you remember most about New Orleans that you wish was still going on?

DJ Ro: I remember the industry being fun and less hate to make it amongst Djs as well as artist! The crab mentality was always a factor but not to the level it is now; street level and even more so corporate level. I miss the Dj groups (RDS EXPRESS and HIGH FIDELITY) that I was once in. We had a true brotherhood.

The Heat Magazine: What advice would you give to upcoming deejays?

DJ Ro: My advice to upcoming DJs is to get with a pioneer DJ and get some knowledge on the art and history of deejaying, mastering your craft, humbleness, learning to spare your liver and relationship with all the temptation of the game, and most importantly put God first in all you do and know that what’s for you is for you.

The Heat Magazine: Deep! How important is it for a deejay to do parties, weddings, and clubs?

DJ Ro: It’s important to find a lane to go after: parties, weddings, clubs, mixtapes, radio DJ, etc; you have to have income coming in unless it’s just a hobby.

The Heat Magazine: What do you dislike about being a deejay?

DJ Ro: I dislike that the DJ is undervalued now, looked at as a non-priority add-on instead of the life of the party and the energy of an event.

The Heat Magazine: What advice would you give upcoming artists about making a song that deejays gravitate to?

DJ Ro: Make music all people can relate to or the demographic your trying to capture. Come out the gate with a high quality bangin’ beat. Put your heart and all into your music!

The Heat Magazine: What can we expect from you in 2018?

DJ Ro: New purposeful platforms that I can showcase my talent and be amongst like minded artist and entrepreneurs.

Follow DJ Ro @djro504 on Instagram.

Check out DJ Ro’s compilation of Nola hip hop here:

Heat Exclusive: A Conversation with King Reality

Thursday, January 11th, 2018

 

The Heat Magazine takes a travel to the West Bank of New Orleans. Many may not fathom that this area near the East Bank of New Orleans includes surrounding cities known for music. These small cities are unique and offer eclectic music. If a visitor travels across the Greater New Orleans bridge, they’ll become familiar with Algiers, Harvey, Belle Chasse, Westwego, Kennedy Heights, and of course Marrero just to name a few.

Ice Mike, Bust Down, Tim Smooth, and Dj Too Cool, all who have earned their place as legends of New Orleans and Louisiana hip hop earned their national acclaim on this side of the Mississippi River. Mobo Records, Ruthless Juveniles, and other West Bank area artists manufactured hits in the 90s.

MC Thick was the most well known rap artist from Marrero in the 20th century after landing a deal with Atlantic Records largely due to his hit single “Marrero” which was produced by J Diamond Washington, an owner of Diamond Studios.

In the 21st century, the hip hop scene continues to flourish. Rappers such as Choppa Style and Baby Boy Da Prince both received national success. Nowadays, artists like B Assasson and Daniel Heartless are making their way through the ranks of the industry.

In 2006, a young man started his professional rap career leading him to a national collaboration on Baby Boy Da Prince’s album. Perfectly titled, “Across Da Water,” the album included a song “Marrero” and this is where his first creative energy was released. Currently, he has a full length album  “New Orleans Premonition” available on all digital outlets. The Heat Magazine wanted our readers to get an inside look on this burgeoning artist.

The Heat Magazine: Tell the world your stage name?

King Reality: My stage name is King Reality.

The Heat Magazine: How long have you been a professional rap artist?

King Reality: I have been rapping since I was 5 yrs old.

The Heat Magazine: Being from Marrero, you come up with Mc Thick, Choppa Style, Baby Boy, and B Assasson. How important is it for you to represent your hood in your music?

King Reality: It’s very important that I continue to carry the torch because those brothers paved for like myself to come through.

The Heat Magazine: What separates you as an artist from your peers?

King Reality: My experience separates me from my peers because of real life situations that I have been faced with and overcome.

The Heat Magazine: As it relates to production, who do you work with?

King Reality: I work with beats by Nell, Quarter Key, and Alroc Kapezee from Untouchable Records.

The Heat Magazine: What are your immediate plans for 2018?

King Reality: To let my talent be seen throughout the world and be a major takeover in the industry.

The Heat Magazine: Tell us about your latest release.

King Reality: My mixtape is called MARRERO JAMMBALAYA with features from Mr Marcello and Choppa Style as well as a few other artists.

The Heat Magazine: What advice would you give to an upcoming artist?

King Reality Stay consistent and trust God. Always believe in yourself.

The Heat Magazine: Who influences you musically?

King Reality: Tupac and Soulja Slim.

The Heat Magazine: Tell us some things about Marrero that our readers and fans may not know.

King Reality: It’s a small city with lots of love where people have been knowing each other their whole lives. It’s a place with a lot of unity. It’s a place where if you stayed for a while, you would probably not ever want to leave.

The Heat Magazine: Do you plan on working with anyone in the future that we should know about?

King Reality: Yes, I plan on working with Lil Wayne, Drake, Piles, and more.

The Heat Magazine: What do you think about Louisiana’s rap scene?

King Reality: I think we are building. We are coming behind Cash Money and No Limit who showed us how to take control of our destiny. No matter what, the world is ours! (Bahlee dat)

 

Check out the album here:

Heat Exclusive: The Tainerz Find ‘One Way’ Out Of Gritty New Orleans

Saturday, January 6th, 2018

Every now and then, destiny can assemble individuals and lead them down a positive path in a spontaneous fashion.  Many times, life goals are not totally figured out until a person matures and becomes an adult. However, in the world of arts and music, an innate passion shapes that life endeavor from the beginning. In New Orleans, several talented individuals have dedicated themselves to professional crafts since adolescent years. Globally, one can find several eager African-American males with ambition and a burning desire to find a better way out from areas where crime, poverty, and lack of opportunity are inevitable.

The Heat Magazine now unveils a group of young men professionally known as The Tainerz.

Named for what they do best, “entertain,” New Orleans trio, The Tainerz are on a mission to bring their blend of bounce, R&B, and rap to the world stage.

Comprised of 14-year-old Dallas Burke, 16-year-old Travon “T-Daddie” Mitchell and 17-year-old David “Deelö” Rayford, the Tainerz all hail from the same New Orleans East neighborhood – an area the boys all credit for helping to shape their sound while also motivating them to aspire for more. Each member of The Tainerz brings a little something different to the table, but they have plenty in common, including musical roots. Both of Deelö’s parents danced and performed, T-Daddie’s mother was a singer and Dallas counts his older brother Antoine as a major source of motivation, along with his mother and grandmother.

With a crown of colorful dreadlocks, jewelry draping his neck and ears and embellished jacket, jeans and kicks, Deelö is hard to miss. He can’t remember a time when he didn’t dream of stardom and has been singing and dancing in talent shows since he was little, often winning the top prize for his rendition of Michael Jackson’s “Beat It”. The choreographer of the crew, Deelö played drums in both marching and jazz band in junior high and met T-Daddie while they were both enrolled in school at Kipp Believe College Prep. The pair bonded over their love for skateboarding, music and dancing and decided to form a group.
T-Daddie played the drums faithfully at his church and passed up on paid gigs to pursue his career with the Tainerz. With his slender frame and genuine interest in fashion, he hasn’t ruled out a future in modeling. For now though, he’s fully dedicated to music.

In 2015, Deelö barber introduced him to their current manager, New Orleans producer Zül-Qarnaįn, who formed a bond with the group and named them after working with the boys briefly on a NFL-related project with Cam Newton. While searching for a singer to complement Deelö and T-Daddie’s harmonies, Zül-Qarnaįn received a video of Dallas performing. In addition to possessing a mighty set of lungs, the Tainerz’ youngest member, Dallas is quick to turn on the charm with an easy smile. The baby-faced “little bro” of the group earns top honors in school and is also a gifted athlete and self-professed “game head.”
After two years of performing together at local events and festivals as The Tainerz, the boys have built a strong following in New Orleans, and for good reason. It’s their live show that truly impresses. Watching Deelö and T-Daddie move, it’s hard to miss the Chris Brown influence, while Dallas’ presence and confidence bring to mind a young Michael Jackson, the entertainer all three boys name as a favorite.

The Tainerz are currently touring to promote “One Way,” their first official single since signing with Rocnation/Interscope earlier this year. The song is a testament to their dedication to their craft. For The Tainerz, performing has been their “One Way” out of the gritty New Orleans neighborhood where they were raised. The song speaks to the focus and determination that’s put them on the road to success.

“God has something written for them,” Zül-Qarnaįn says. “They have individual gifts but when they combine they form a super trinity. “

Follow @TheTainerz on Instagram and check out their new single and video One Way here:

 

 

Heat Exclusive: WQUE Kicks Off 2018 With New Specialty Show NOLA Next

Wednesday, January 3rd, 2018

The city of New Orleans has been a hotbed for hip hop and other forms of music. Similar to the Harlem Renaissance era where artists expressed themselves in an effort to unveil the African-American experience as well as individual talent, New Orleans creatives have continuously delivered  good music throughout the years. Since the early days of Jazz, the birthplace has effortlessly released thousands of artists with unique and compelling styles.

New Orleans hip hop is one of the few which has been on display in museum exhibits and various forms of literature. From the Ninja Crew to Cash Money/No Limit to Young Money, the movement has continued.

Now in the digital age in a different way using a new paradigm, music artists have to make an impact via social media and digital music outlets. Streaming, blogging, and other daily content have become the new standard for building a brand and buzz.

However, there are some outlets that can capture both social media and organic followings. WQUE is one of those outlets. Throughout the years, Nola music grew to be loved by locals and visitors in town. Something as simple as turning on the radio and adjusting the dial to 93.3 brought them into a new place with an extraordinary sound. “There’s no place like that N.O.”  Most hip hop heads have a nostalgic joy when they think about the evolution of New Orleans hip hop. If one was to walk in a club and hear any classic hip hop record from New Orleans, they would quickly notice the immediate reaction by the audience.

Life has a way of making us appreciate our humble beginnings but time causes change and untapped ideas always surface as the music industry globalizes itself on a digital level.

In an effort to showcase New Orleans artists in an eclectic manner, WQUE announces a new show. Nola Next will begin on Thursday January 4th at midnight. Ms. Tee, a New Orleans mainstay, will be the first featured artist.  As a result, great Nola music will be consolidated on this specialty show. 2018 rings in with progression and WQUE and Nola Music are here to stay. A combination of music and platform are a great recipe for “that gumbo” and the world already knows New Orleans is a city full of flavor.

Visit q93.com for more information concerning Nola Next.

Heat Exclusive: Jay Jones Reveals 2000 Hollygrove

Sunday, December 31st, 2017

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